Arte

É sobre expressão. Conheça também meus blogs sobre Bolsa de Valores, Livros e meu site onde você pode publicar seus artigos gratuitamente. Acabei de inaugurar também meu blog sobre Musculação. Este blog é editado por Alessandro Martins
  • ask me anything
  • submit a post
  • rss
  • archive
  • felinezegers:

‘Self portrait’ 
February 2011, Feline Zegers
Shop!

    felinezegers:

    ‘Self portrait’ 

    February 2011, Feline Zegers

    Shop!

    (via theonlymagicleftisart)

    Fonte: felinezegers
    • Há 3 dias
  • artnet:

    Revolver Gallery

    Those of you on the west coast: if you’re looking for some creative culture, a place where fashion, art, and music collide, look no further. Head over to Revolver Gallery in Beverly Hills and dive into its Pop Art aesthetic, complete with a flower-painted ceiling, concrete floors, and an iconic Marilyn hanging in the window! 

    Pictured are just a few iconic works by Andy Warhol on view at the space. 

    Fonte: artnet
    • Há 3 dias
  • efedra:

Written Language (line drawings) XV, 2009 by Sophie Tottie 
[pigmented ink on paper]

    efedra:

    Written Language (line drawings) XV, 2009 by Sophie Tottie

    [pigmented ink on paper]

    (via wowgreat)

    Fonte: efedra
    • Há 2 semanas
  • cavetocanvas:

Tony Smith, Amaryllis, 1965
From the Metropolitan Museum of Art:

Tony Smith worked as an architect for over twenty years (1938–60), so it is not surprising that he approached sculpture in an architectural manner, as something to be designed with mathematical precision from geometric components. His method was to manipulate numerous small geometric solids that were cut and pasted from cardboard until a satisfactory arrangement emerged. The small cardboard maquette, or sometimes a larger version of it, was then sent to the foundry to be enlarged and cast in steel. The result often startled the artist, as the work loomed to monumental proportions.
Smith’s large black painted-steel sculpture “Amaryllis” exemplifies his style and suggests the expressive possibilities and visual intricacies that could be achieved with a relatively limited number of elements. As in many of the artist’s pieces, a single geometric form (in this case, a tetrahedron forming a triangular-based pyramid) is repeated to create a larger, more irregular configuration. In “Amaryllis” two of these composite forms, identical in size and shape, are joined together: one piece is placed horizontally on the ground; the other extends vertically at an angle from the top. As the viewer moves around the sculpture, its configuration changes constantly—stretching and contracting, balancing and unbalancing. This eccentricity of form reminded the artist of the unusual organic shape of an amaryllis plant. Smith has often been associated with the Minimalist artists of the 1960s. Unlike them, he did not negate content, but was always receptive to the idea of abstract sculpture evoking objects and attitudes.

    cavetocanvas:

    Tony Smith, Amaryllis, 1965

    From the Metropolitan Museum of Art:

    Tony Smith worked as an architect for over twenty years (1938–60), so it is not surprising that he approached sculpture in an architectural manner, as something to be designed with mathematical precision from geometric components. His method was to manipulate numerous small geometric solids that were cut and pasted from cardboard until a satisfactory arrangement emerged. The small cardboard maquette, or sometimes a larger version of it, was then sent to the foundry to be enlarged and cast in steel. The result often startled the artist, as the work loomed to monumental proportions.

    Smith’s large black painted-steel sculpture “Amaryllis” exemplifies his style and suggests the expressive possibilities and visual intricacies that could be achieved with a relatively limited number of elements. As in many of the artist’s pieces, a single geometric form (in this case, a tetrahedron forming a triangular-based pyramid) is repeated to create a larger, more irregular configuration. In “Amaryllis” two of these composite forms, identical in size and shape, are joined together: one piece is placed horizontally on the ground; the other extends vertically at an angle from the top. As the viewer moves around the sculpture, its configuration changes constantly—stretching and contracting, balancing and unbalancing. This eccentricity of form reminded the artist of the unusual organic shape of an amaryllis plant. Smith has often been associated with the Minimalist artists of the 1960s. Unlike them, he did not negate content, but was always receptive to the idea of abstract sculpture evoking objects and attitudes.

    Fonte: cavetocanvas
    • Há 2 semanas
  • pacegallery:

Pace and Pace/MacGill Gallery are pleased to present On The Beach 2.0, an exhibition of new large-scale photographs by Richard Misrach. The exhibition will be on view at 510 West 25th Street from May 4 through June 29, 2013.  An opening reception will be held this Friday, May 3rd from 6 to 8 PM, we hope you can attend.
© Richard Misrach, courtesy Pace/MacGill Gallery 

    pacegallery:

    Pace and Pace/MacGill Gallery are pleased to present On The Beach 2.0, an exhibition of new large-scale photographs by Richard Misrach. The exhibition will be on view at 510 West 25th Street from May 4 through June 29, 2013.  An opening reception will be held this Friday, May 3rd from 6 to 8 PM, we hope you can attend.

    © Richard Misrach, courtesy Pace/MacGill Gallery 

    Fonte: pacegallery
    • Há 2 semanas
  • supersonicelectronic:

    Seth Armstrong.

    Opening May 4th at Thinkspace Gallery in Culver City, California is the group show “Vanguard.”  The show features a great line-up including the artist Seth Armstrong.  Here, exclusively, is a look at his entire process from start to finish.  Check it out below:

    Read More

    Fonte: supersonicelectronic
    • Há 2 semanas
  • andrewharlow:

    Selections from Hierophanies by Bear Kirkpatrick

    This series, created between 2007 and 2011, went afield looking for evidence in the modern world of Mircea Eliade’s evocation of the Hierophany, a tear in the fabric of the profane world that showed a glimpse of the sacred world behind it. All that lives and breathes, dies, is part of a cycle of life and death, is a natural part of the profane world. The sacred world exists as a memory of a place before death, in illo tempore.

    via Fantomatik

    Fonte: andrewharlow
    • Há 2 semanas
  • tumblropenarts:

http://jessicapliez.tumblr.com/]
Jessica Pliez

    tumblropenarts:

    http://jessicapliez.tumblr.com/]

    Jessica Pliez

    Fonte: tumblropenarts
    • Há 2 semanas
  • manpodcast:

    Here are a few hints about the lead guest on this week’s Modern Art Notes Podcast, which will be published at about noon ET tomorrow! 

    Never miss a program: Subscribe to The MAN Podcast via iTunes, SoundCloud or RSS! (And tell a friend!)

    Fonte: manpodcast
    • Há 3 semanas
  • artruby:

Creative Time takes over the Domino Sugar Factory in Brooklyn for its gala. Photo by PMc. 

    artruby:

    Creative Time takes over the Domino Sugar Factory in Brooklyn for its gala. Photo by PMc. 

    Fonte: artruby
    • Há 3 semanas
  • razorshapes:

    Michele Parliament

    (via oxane)

    Fonte: razorshapes
    • Há 1 mês
  • exhibition-ism:

    Artist Jason Hackenwerth creates this scientific monument to Eros and Aphrodite’s legend of Pisces with over 10,000 latex balloons at the Edinburgh International Science Festival 

    via thisiscolossal 

    Fonte: exhibition-ism.com
    • Há 1 mês
  • (via Creatively Adapted to A Moderate Climate: Yatsugatake Villa in Japan)

    (via Creatively Adapted to A Moderate Climate: Yatsugatake Villa in Japan)

    Fonte: freshome.com
    • Há 1 mês
  • (via Flexible Modern Architecture: Surprising Narrow House in Japan)

    (via Flexible Modern Architecture: Surprising Narrow House in Japan)

    Fonte: freshome.com
    • Há 1 mês
  • artchipel:

    Paul Schneggenburger (b.1982, Germany) - The sleep of the beloved

    What happens to lovers while they are sleeping? Is it a sleeping just next to each other, each on his own, or is there a sharing of certain places or emotions? Is it a nocturnal lover’s dance, maybe a kind of unaware performed tenderness, or does one turn the back on each other? Is there a conjunction with the other, with one’s self? Each picture of the “Sleep of the lovers” is one long-time exposure, from midnight until 6AM.

    [more Paul Schneggenburger | artist found at leslieseuffert]

    (via artchipel)

    Fonte: leslieseuffert
    • Há 1 mês
Página seguinte
  • Page 1 / 12